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Paperback
Publisher: Plume
In 1957, James Whale, the director acclaimed for such classic gothic films as Frankenstein and Bride of Frankenstein, was found floating face-down in the swimming pool of his Hollywood mansion. Here, Christopher Bram brilliantly recreates Whale's last days in this fascinating, astute, and suspenseful novel.
This novel--the basis for the critically acclaimed 1998 film Gods and Monsters--re-creates the last days of film director James Whale, who was found dead in his swimming pool, an apparent suicide, in 1957. Bram offers sharp insights into the darkly comic sensibility that infuses Whale's two most famous films, Frankenstein and Bride of Frankenstein, as memories of an impoverished English childhood, the trenches of World War I, and Hollywood studios compete for space in a mind whose defenses have been weakened by a stroke. Written in the fluid present tense of a cinematic treatment, Father of Frankenstein is a powerful evocation of an era before Hollywood celebrities could proclaim anything but domestic heterosexuality to the outside world.
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| A Whale of a Tale |
| Customer Rating: 5 out of 5 |
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Historical fiction Hollywood style - circa 1957. Film director James Whale ('Frankenstein' and 'Bride of Frankenstein') suffers from mental erosion as a complication from his recent stroke. His life is now ruled by his past and the random surfacing of memories - childhood, poverty, horrific experiences in the trenches during WWI, his days as a celebrated film director, his life as a gay man in Hollywood, etc. It's all uncontrolled and very painful. Whale finds the fact that he will eventually lose his mind even more unbearable. Enter Clay Boone - a straight, hunky, "monster-sized" gardener hungry for life experience and drawn to the aged celebrity. Seeing Clay gives Whale an idea - he'll somehow have the monster/man kill him, therefore giving his life a sort of fitting conclusion. He will be the director of his death as well. FATHER OF FRANKENSTEIN traces the developing relationship between Whale and Clay over the course of several weeks with surprising twists and equally moving turns as events progress towards a rewarding conclusion. A brilliantly imagined novel, a rich historical atmosphere, and a riveting character study. A wonderful read. Frightening, funny, sexy, and very unique.
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| Imaginative, Beautifully Written |
| Customer Rating: 5 out of 5 |
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This wonderful novel is instantly engrossing and will captivate readers throughout. An imaginative, fictional take on the life of film director James Whale, the author writes with uncanny objectivity, sensitivity and insight. Its exquisite detail and impact are hidden under the seeming simplicity but manage to ring out, chapter after chapter. Those familiar with the film version, "Gods and Monsters," will find a new appreciation not only for the story itself but for the filmmakers' loyalty to this great book.
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| Father of Frankenstein |
| Customer Rating: 5 out of 5 |
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Christopher Bram does it again with yet another brilliant novel. The depth and the intelligence of this book and his ability to bring the characters so alive shows his ability as a novelist. If you only read one or a couple of books a year make it this one.
Highly Recommended indeed.
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| Bram's bio reveals all sorts of 'monsters'! |
| Customer Rating: 5 out of 5 |
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In "Father of Frankenstein" author Christopher Bram presents a mesmerizing account of the last days of Hollywood (and British) film director James Whale. Bram's book provided the basis of "Gods and Monsters," a 1998 film which drew critical praise as well. Bram provides us with an insider's view of Whale's life--itself something of a horror story. His turbulent life--and lifestyle--haunted him until his death in 1957 (an "apparent" suicide). Of course, such things that Whale suffered were never publicized--or much acknowledged--while he was still alive. In this biography Bram seems to pull no punches, as he deftly presents the life of Whale that few outside Hollywood knew (his homosexuality, for instance), especially his background growing up in England, his experiences in World War I, and so on. Whether a fan of Whale (the classic films "Frankenstein" and "Bride of Frankenstein" still have a following!) or not, the reader can expect a mesmerizing read--something out of "Time" magazine and not the "National Inquirer"! At times, however, it does resemble "People" magazine a bit, but Bram does not resort to bitchy sensationalism to carry the book. He gives us a very interesting--but not altogether revealing--look at Hollywood in the Thirties. (Billyjhobbs@tyler.net)
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| Elegant and poignant story-telling |
| Customer Rating: 5 out of 5 |
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I have not yet seen Gods and Monsters, but now that I've finally read Father of Frankenstein, I want to see how this elegant and poignant novel translates onto the silver screen. Christopher Bram really is a master writer. His writing style is delicate, simple, and strong--a perfect match for the distinct personalities of feature characters James Whale and Clayton Boone. Father of Frankenstein is an elegant and poignant tale about the hidden gay side of Hollywood, war stories, and dementia. Like the Frankenstein movies of James Whale, the book begins with a dark and stormy night, only not in the cliched terms of 19th-century hack Paul Clifford. Nonetheless, I drew an instant parallel with Paul Clifford's words: "It was a dark and stormy night . . . and the rain fell in torrents--except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness." In its own way, Father of Frankenstein is based off these words. James Whale, famous director of the movies he'd rather not be remembered for, had a stormy life beginning somewhere around London. Somewhere between his inauspicious beginnings as a impoverished child in a factory and his mysterious demise near Hollywood, he lived a full and colourful life. The book begins at the end, really, after James Whale is an old and shattered man. He's recovering from a stroke. Well, he'd like to believe he's recovering, but his worsening mental state disabuses him of that notion rather quickly. His damaged mind dwells more and more on the past until he can scarcely differentiate between the present and events forty years past. And then there's Clayton Boone. He's a moody loner, a presager to James Dean, I suppose. Young, muscular, virile, and not too bright, he's everything James Whale looked for in a monster. But like Frankenstein's monster, Clayton Boone won't do what his creator wants him to do.
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